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[Welcome To The Kansas City Real Estate Photography Blog!]

Traditionally photographers have chosen to display their work online in the form of portfolio websites that typically involve a slide show of their best work.  Indeed, if you click on the portfolio link above, you'll be taken to my version of just such a site.  Beyond the slide show you'll find some testimonials, my contact details and...not much more.  These sites are nice to look at, and it can be argued that because photography is a visual medium, the fewer words, the better.  At least that was my theory when I designed my portfolio site.  Many images.  Few words.

I've discovered that I want to do something more though.  If you know me you know I am passionate about the need for better real estate photography.  If you've attended one of my Photography For REALTORS classes you've heard me talk about the media and what they have to say about the photos we use to market our listings.  You've heard the comments of consumers surveyed about the impact of photography on the sale of their home.  And you've probably agreed with me that because most real estate consumers start their search for a home on the web, good photography should be the single most important element in a marketing plan for any new listing.

That said, I wanted an opportunity to do more than show you my latest work.  I wanted to be able to pass along tips for improving your own real estate photography, information about creative new marketing ideas and maybe even an occasional contest to see the photographs you're taking.

Ultimately, my goal is to raise awareness of the need for better real estate photography, and I'm hoping the more dynamic nature of a blog will help me get my message out.  One of the real benefits of a blog over a static website is that it provides for two-way communication, so please don't hesitate to leave a comment after any of my posts.  We'll all learn from your insights and the dialog that develops!

Oh, and if you'd rather just hire me to take the photographs...well, that's OK, too!

Together, We’ll Improve Kansas City Real Estate Photography!

Just a quick note of gratitude to all who attended the Photography For REALTORS class sponsored by RE/MAX State Line and RE/MAX Realty Suburban at the KU Edwards Campus on Monday.  I have had the pleasure of talking with several of you since and want to re-emphasize that I am happy to help with any questions you have about your real estate photography and/or how to leverage it for greater marketing exposure.

Over the next few weeks I’ll make an effort to shoot examples of some of the ideas we discussed in the class and post them here for your consideration.  I’d like to illustrate my “four corners” rule as well as show you one view, shot with one flash, multiple flashes, HDR (the technique we discussed that can be very difficult to do right, and sometimes looks a bit too painterly) and my HDR/flash hybrid solution.  I’d also like to show you the effect of using a manual off-camera flash with an optical slave triggered by the built-in flash on your compact camera.  I know there was a lot of interest in that idea.

Again, thank you to all of you for braving the cold and spending 3+ hours with me talking about real estate photography.  I hope each of you got at least one little tip that you can use on your next listing!

My Real Estate Photography Portfolio Has Finally Been Updated. Sort Of…

Kansas City Real Estate Photography

After weeks of sifting through 2000+ images, I know only two things:  that the images in my updated portfolio are examples of real estate photography – and that they were taken by me.  Whether they represent my best work, I can no longer say.  I’ve completely lost my perspective and become numb to the process of selection.  I am so grateful to the agents who not only trusted me with their listings and their clients, but who advocated on my behalf to others, bringing me more business than I ever would have imagined.  I feel incredibly fortunate to have photographed so many homes for REALTORS who truly want to provide the best marketing possible for their clients.  Thank you one thousand times!

My next project, which I hope to complete in the coming days, is to combine my portfolio and blog into one completely fresh looking site.  In the mean time, here are a few recent shots that I think might be worthy:

Kansas City Real Estate Photography

Kansas City Real Estate Photography

Kansas City Real Estate Photography

Kansas City Real Estate Photography

Kansas City Real Estate Photography

Kansas City Real Estate Photography

Kansas City Real Estate Photography

Kansas City Real Estate Photography

Kansas City Real Estate Photography

Kansas City Real Estate Photography

Kansas City Real Estate Photography

Kansas City Real Estate Photography

Kansas City Real Estate Photography

Kansas City Real Estate Photography

Kansas City Real Estate Photography

Kansas City Real Estate Photography

Kansas City Real Estate Photography

Kansas City Real Estate Photography

Kansas City Real Estate Photography

Jennifer - That selection of shots looks pretty good to me! I'm just starting out in real estate photography, but hopefully I'll have a portfolio developed soon. Thanks for sharing!November 17, 2009 - 11:00 am

Harry - Thanks very much for your comment, Jennifer. I had an enjoyable look through your site and found that you have many talents that I lack. It is well known among my friends and clients, for instance, that I don't photograph anything that moves or has an opinion. The idea of shooting a wedding would absolutely terrify me!November 17, 2009 - 12:24 pm

Sharon Tabuchi - Hi Harry, I love your work and I can always tell the shots you have taken on MLS. Your awesome! Sharon Tabuchi Reece and NicholsNovember 18, 2009 - 7:25 am

Harry - Wow...thanks, Sharon! I really appreciate your kindness and hope you've had a remarkable year!November 18, 2009 - 7:37 am

Deborah Staley - Harry, these images are fantastic. After attending your seminar yesterday, I spent the evening reviewing architectural magazines so that I could practice identifying your techniques. Thanks for a wonderful seminar.December 15, 2009 - 12:57 pm

Harry - Thanks, Deborah. I really appreciate that you took the time to come to the class - and visit my site as well! Please don't hesitate to let me know if I can do anything to be of help.December 15, 2009 - 4:35 pm

Regarding my absence…

Many thanks to all my agent friends who have kept me too busy to be present on Facebook, Twitter or even my own blog this summer.  I am deeply grateful and hope to begin posting my favorite images from the 200+ homes you’ve trusted me to photograph during these past few months.  I have a new blog-site in the works that will feature your listings and some “value-added” goodies for those who continue to allow me to serve them through my photography.
But for now…thank you, thank you, thank you for making it the best summer EVER!!

10 Steps To Better Real Estate Photography – Step 6
Shoot Diagonally

Once again my shooting schedule has caused a long delay since my last post.  I’m grateful beyond words for the agents who have supported me by asking me to photograph their listings and feel incredibly fortunate to be shooting daily.  The only down-side is my inability to find the time to post regularly on this blog, which I find very frustrating.  I’m eager to finish the Photography For REALTORS series and make the transition back to my original intention, which was a true photoblog – a place to post my favorite images from each shoot with short descriptions that I hope will be informative for those doing their own marketing photography.

Now on to the sixth step to better real estate photography:

Shoot Diagonally

As I discussed in my last post, shooting with a very wide lens can make a room look far too long and narrow – the “bowling alley” effect.  The rule of thumb is that only rooms that are square (or nearly square) should be shot in a length-wise, symetrical way when a wide angle lens is being used.  While there will still be some exaggeration of perspective, it will be much less noticeable.  This is an example of a nearly square room which I felt could be shot symmetrically without a problem:

A nearly square room which could safely be shot in a symmetrical fashion without perspective exaggeration.

A nearly square room which could safely be shot in a symmetrical fashion without perspective exaggeration.

Most rooms are rectangular, though, and the way to avoid perspective problems is to shoot diagonally.  While this helps to avoid perspective exaggeration, there are other benefits as well.  Because of the way most people arrange their furniture in rectangular rooms, shooting diagonally through the furniture allows the viewer to see the features of the home itself, such as the fireplace.  Shooting diagonally is especially important in galley-style kitchens and narrow bathrooms, which can look like they belong in a submarine if shot “straight”.  In bathrooms, shooting diagonally into the mirrow will frequently allow you to show a reflection of the room in the mirror, rather than a reflection of you!

In a previous post I talked about the value of flow shots that show the relationship of one room or space to others that are adjacent to it.  Here’s my tip for this post: look at a room as you would obviosly shoot it – for instance a dining room shot from the entry, diagonally, in a way that allows the front window to be seen.  Now go to the opposite corner and look back at where you just were.  In fact, go to every corner of a room and look diagonally in the opposite direction.  You’ll be amazed at the flow shots you’ll find!  Using the dining room example, here’s an “obvious” view -  and an alternative that retains the front window, but also shows the entry and the formal living room above as well.

The obvious dining room shot.

The obvious dining room shot.

An alternative that also shows the flow of this part of the home.

An alternative that also shows the flow of this part of the home.

That’s it for now.  I hope very much to be able to post the remaining techniques from the class in the coming days.

Gary Summerskill - Harry, When I view your pictures, they send chills throughout my body. It is exciting to look at your photos because everything looks so beautiful. I am very happy to hear that you were so busy this summer taking photos. Best of luck. GarySeptember 27, 2009 - 8:40 am

10 Steps To Better Real Estate Photography – Step 5
Shoot Wide

It’s been more than two weeks since I’ve posted, due in part to the rush of activity that followed my workshop in Phoenix.  In the end, I’m a photographer and (definitely) not a writer, so shooting will always win out over posting!  (Plus I get paid to shoot, which is cool!)

Having said that, I’ve decided that after posting the rest of the Photography For REALTORS class content (or as much of it as I can in this format), I will transition this site back to a photoblog, which means more photography and less writing.  I hope the photos I post will be appropriate examples of the principles of good real estate marketing photography so there is still a benefit to those who want to improve their own images.  I would like to think the site will continue to be a good resource for agents who enjoy taking their own marketing images.

OK, on to step five:

Shoot Wide – But Not Too Wide!

Shooting wide seems like a no-brainer for real estate, right? Still, there are some who don’t know that their camera lens can be zoomed out to show a wider view.  More importantly, many agents don’t know that there are wide-angle adapters made for most newer point-and-shoot cameras that will increase the angle of view the camera is capable of, significantly.  Just Google the make and model of your camera along with the words “wide angle adapter” and you’ll know whether there is a model made for your specific camera.

For those who are thinking about buying a new camera that will be used for real estate, I recommend using the camera comparison tool listed under the resources link above.  It will allow you to choose the wide-angle capability you want and then tell you all the current models that meet your needs.

So, how wide do you want?  And how wide is too wide?  Great questions!  Without getting into a very technical conversation, the angle of view a lens is capable of seeing is measured in degrees, but most camera and lens manufacturers are more likely to publish the focal length of a lens, which is measured in millimeters. Before digital cameras became the norm, most of us owned cameras that used 35mm film, and lens focal lengths were determined relative to the size of a 35mm film frame.  With that in mind, and speaking very, very generally, a lens with a focal length between 40-50mm was considered a normal lens – or one that mimics what the human eye sees.  Below 40mm, lenses are considered wide-angle, and above 50mm lenses are considered telephoto.

Not wide enough...

Not wide enough...

Because most consumers tend to want cameras with zoom lenses that favor longer telephoto capability (to photograph the kids, sports, etc), many point-and-shoot cameras have limited wide-angle capability, typically starting around (the equivelent of) 35-38mm.  While this is technically considered wide-angle, it’s really not wide enough for real estate purposes.  I would suggest buying a camera (or a lens adapter) that gives you the capability of a lens with 28mm focal length at most.  24mm is better, and I belive there might be at least one point-and-shoot camera that goes down to 21mm, which is perfect.  Sice new cameras seem to be released every week, there might be more than I realize.  Again, check the camera comparison tool under the “resources” link above.

Just barely wide enough...

Just barely wide enough...

Now, if you use a camera with inter-changable lenses (an SLR or DSLR), you can purchase any lense you want.  But be careful…  Because the sensors on all but the most expensive cameras are smaller than the 35mm standard, the focal length of a lens is not what it seems.  For instance, I use a 10-22mm zoom lens for 95% of my real estate photography, but because the sensor in my camera is not “full-frame” I have to multiply the focal length by a crop factor of 1.6X.  That means my lens is actually the equivelent of a zoom lens with a range of 16 – 35mm in 35mm terms.  I know this might seem trivial, but if you’re going to buy a camera and lens for real estate it’s actually very important.  Most “kit” lenses that come with DSLRs are advertised to have a range of something like 17-55 or 28-105mm.  It varies from manufacturer to manufacturer, but most are in this range.  The problem is that 17mm on a Canon is really 28mm 9which is OK) and 28mm is 45mm (which is not).  On a Nikon (which has a crop factor of 1.5X, the focal lengths would be 26mm and 42mm.  Just remember to ask (or Google) for the “35mm equivelent” focal length and get something that is 28mm or below.

About as wide as you'll find on a point-and-shoot camers

About as wide as you'll find on a point-and-shoot camera

Now, how wide is too wide?  Depends on the lens, and how prone it is to distortion at extremely wide angles, but as a general rule, I live between 18-24mm (even though my lens will go down to 16mm).  Any wider and I see two problems – barrel distortion (where lines at the edge of the frame appear to be curved – very common in photos done by some virtual tour providers), and an exaggerated sense of perspective.  If you photograph straight down a rectangular room it can end up looking like a bowling alley!  For most agents using point-and-shoot cameras though, getting too wide is definitely not going to be a problem, because “too wide” is wider than any point-and-shoot camera will go!

Now we're talking...!

Now we're talking...!

So there you are.  Shoot as wide as your camera will allow, and if you’re purchasing a new camera or lens for real estate purposes, give me a call.  I’ll be happy to help you do the research and get a camera and/or lens that will help you produce terrific property marketing photos!

Interior Lighting Workshop

I have been given the opportunity to spend time studying with two of the best interior photographers in the country at a small workshop being held in Phoenix this coming weekend.  To say I am excited is an understatement!  I have studied and admired the work of Thomas Grubba and Scott Hargis for some time now and can’t wait to learn the techniques they use to light interior spaces.

When I return I will immediately begin transitioning most of my work to the multi-flash lighting style I’ve been studying and that Thomas and Scott will help me perfect.  I think it will allow me take my images to a whole new level and serve you to an even higher degree!

Stay tuned for examples!

Favorites From Last Week

Photographed For Karen Bernhard, RE/MAX First, REALTORS

Photographed For Karen Bernhard, RE/MAX First, REALTORS

I’ve included this shot because it’s one of the few that came out of the camera just as you see it  Most shots require a bit of tweaking before they’re ready for public consumption, but this one seemed nice just as it was.  I was about 12 feet above the street (in order to get even with the home) and stayed there for awhile as the sun moved in and out of the clouds.

Photographed for Becky Budke, Reece and Nichols

Photographed for Becky Budke, Reece and Nichols

Again, I chose this shot not because it’s one of the best exteriors I’ve ever done – but because of the satisfaction I feel knowing I was sixteen feet above the driveway and there was a fairly steep grade downward that started just a few inches behind my ladder.  That grade, coupled with the location of the trees on the lot, made it necessary to shoot this home at very, very close range with an ultra-wide angle lens.  (I would guess I was no more than 30-35 feet out from the face of the home.)  That’s why it’s one of my favorites of the week!

10 Steps To Better Real Estate Photography – Step 4
Shoot Horizontally

Master Bathroom

Photographed for Becky Budke, Reece and Nichols

Shoot Horizontally

So step four to better real estate marketing photography is short and easy. Resist all temptation, no matter how great, to shoot vertically.  Don’t even think of tipping that camera into the up-and-down position you would use to take a picture of your friend/spouse/mother/pet.

Leave it horizontal.  As in sideways.  Even for bathrooms.  If a room is too small to be photographed horizontally, don’t photograph it.  Just don’t do it.

Why do I feel so strongly about this?  Because the MLS is friendlier to horizontal photographs.  Because even if Matrix does handle your vertical shot, most of you are syndicating out to other real estate portals that won’t (very gracefully).  Because slide shows and virtual tours are not easy to watch when there is a mixture of horizontal and vertical shots.  (And by all means, choose the full-screen slide show with zoom and pan.  Jerky little virtual tours are quickly falling out of favor with consumers.)  Because we see horizontally.  And because most houses (and spaces within the house) are designed horizontally.  For starters.

Are there exceptions?  Maybe.  A detail shot used , for instance, as in inset on a flyer might be nice in a vertical crop.  In a printed piece, (where the viewer is seeing many images at once, as opposed to each image individually, one at a time) a vertical crop can break up the monotony of all horizontal images.  It adds design diversity.  A magazine cover would also require a vertical crop in most cases.  (This is me resisting the temptation to add “…if there is still anyone out there doing print advertising in magazines.”)

So shoot horizontally.  You’ll be a better person for it.  (Or don’t.  If you’re the only agent photographing your listings completely in a vertical format, they might stand out so much that everyone will want to see those tall skinny houses!)

Agent Genius Is Looking For MLS Fail Shots

Chris Griffith, a new contributor to the Agent Genius blog, has started a series called MLS Fail Shots.  She is inviting readers to send in their favorite really bad MLS photos and the first four installments have some real tragic examples of what not to do!  Check them out right here

10 Steps To Better Real Estate Photography – Step 3
Know The Money Shot

Exterior FrontKnow The Money Shot

“How many of you would say the photograph of the exterior front of a property is the money shot“?  When I ask that question in class there is usually some hesitation on the part of many of the participants.  Some feel the strongest shot – the one that elicits the most positive emotional response is the money shot, whether its the kitchen or the sun porch.  It’s hard to argue with that logic, but it is my opinion that because the exterior front photo is the only shot that shows up in an initial web search result (in almost all cases), it is, by default, the money shot.  Even if there is a photo just behind it that is absolutely stunning, if the web consumer doesn’t click through to view the entire listing they won’t see it.  (We could place the attractive interior shot first in the line-up, but then we run the risk that our prospective buyer will assume there is no exterior shot, and we all know what we think if there is no exterior shot!)

It has been said many times that when it comes to buying real estate today, photography is the new “curb appeal”, and this is especially true with regard to the one photo that will cause a buyer to decide whether to click through or click past your listing.  For this reason, I typically spend more time planning for – and shooting – the exterior of a home than any other shot I do.  In fact, if an agent hires me to shoot the interior only, I reduce my fee by 20%, because that’s about how much of my time I allocate to exterior shots.  So my first recommendation is that you spend the time and energy necessary to make the exterior front shot of a listing look as good as you possibly can.

One of the reasons the exterior of a property can be so difficult or time consuming to photograph is the number of factors we can’t control – but that influence our ability to get the shot.  There are three that effect every property we photograph: the weather, the orientation of the home (the direction it faces), and the terrain (the grade of the lot, placement of trees, etc.).  Throw in utility poles, stormwater drains, the neighbor’s chartreuse-colored house and… well, you get the point.

Here are some tips that I hope will help you get the best results possible.  If you have others you’d like to share, please do so in the comments so we can all benefit!

  • Plan ahead.  Schedule with your client to photograph the home at least 48 hours prior to the day it goes into the MLS whenever possible.  (72 hours is better.)  This allows time to reschedule or re-shoot in the case of inclement weather.  If you have to put the home on the market immediately, get a shot – because any exterior front shot is better than no exterior front shot – but please, go back and re-shoot when conditions improve.
  • Be prepared.  Under the resource menu at the top of this blog you’ll find links to a variety of mapping sites.  Between AIMS (for Johnson County homes), Google Maps Street View and Microsoft’s Live Maps Birds-Eye View, you can know the direction the home faces, as well as the placement of trees and other potential obstacles.  The orientation of the home is important because…
  • Light is the name of the game.  Overcast skies or heavy shade make for a bland photo due to a lack of contrast, so try to arrange to shoot during the golden hours – early in the morning for east-facing homes and later in the afternoon/evening for south and west-facing homes.  I’ve written previously about the challenge of north-facing homes, which are almost never fully lit by the sun.  My best advice for these homes is to absolutely avoid the middle of the day because the sun will be shining right over the roof of the home into your lens, causing flare and making matters much worse.  Shoot early or shoot late when the sun is coming from a steep angle left or right respectively.  This is one of the few times when a slightly overcast sky can be a friend!
  • Get level.  How often do we see photos in the MLS that make a home look like it’s falling over backward?  Pretty often, unfortunately.  This is caused when we tilt the camera up to get the whole house and some of the sky into the frame.  The phenomenon is called “converging verticals” and there are two ways to avoid them.  The first way is to get level with the home.  This might mean standing at the top of the neighbor’s driveway across the street, or keeping a step-ladder in your trunk.  (I keep a 22′ Little Giant ladder, but that’s another story.)  The goal is to make sure that when you look through the viewfinder (or at the display on the back of your camera), the sides of the house are parallel to the sides of the frame.  Another way to achieve this is to “shoot big”.  By this I mean to zoom out to the widest angle your camera will allow and get back away from the home as far as necessary to keep the camera level and still get some sky above the roof of the home.  This will typically mean you have very large foreground that might even include the street and a lot of room to the sides of the home.  That’s OK.  If you shoot at your camera’s highest resolution, you’ll be able to use free software like Google’s Picasa to crop the photo to just the part you want – and the house will be straight!  (This is much more easily done than described.  If you have questions, lease give me a call.)
  • Focus on the entry.  The front entry is a point of pride for many homeowners and is typically the most appealing element of the front elevation.  Unless it is impossible, the entire front door should be visible in the photo.  It’s also good to stage the entry with bright (but not gaudy) color to draw the viewers eye toward it.  Now that we can attach up to 25 images to an MLS listing, I highly recommend doing a tighter shot of just the entry if it’s especially attractive.
  • De-emphasize the garage.  By the same token, most garage doors are not attractive, and these days they are so big that they can truly dominate the front of a home.  The same goes for driveways.  When this is the case, try to shoot from an angle opposite the garage.  This will cause it to look smaller in the frame and eliminate some of the driveway at the same time.
  • Try to avoid utility poles and power-lines.  In this case, there really is no substitute for a really wide angle lens that will allow you to step beyond these obstacles and avoid them altogether.
  • Consider a twilight shot.  This is especially good for homes with a lot of windows up front.  Get yourself an inexpensive tripod (approximately $15) and set up to shoot during the time after the sun goes down and before the sky turns black.  Have all the lights in the home turned on and set your camera on “Night Portrait” mode for starters.  (This might require some experimentation.  All cameras are different, but if you have questions, call me and I’ll help you figure out how to do this with your specific model.)  The result can be stunning, especially if you’re fortunate enough to have a beautiful puple or deep red sky!
  • Remember the clouds.  In general, bright cloudless skies have two drawbacks:  the light from the sun is unfiltered and can be harsher, and they’re just plain boring.  Take advantage of days with puffy white clouds to make photographs that are far more memorable.
  • Re-shoot with the season.  If you listed a home in January and it’s still on the market in a couple of weeks when everything is green and blooming, go back for a new shot.  It’s the right thing to do!

That’s it for now.  I hope you’ll find one or more of these tips to be helpful as we enter the listing season.  Next time I’ll tell you how you can very easily make the rooms in your listing seem much more spacious and natural feeling by doing one small thing that costs nothing and takes no time.  In the meantime, here are a few examples of exterior photographs made using the tips above:

Shooting a north-facing home under slightly overcast skies...

Shooting a north-facing home under slightly overcast skies...

Focusing on the entry...

Focusing on the entry...

Shooting from an angle opposite the garage...

Shooting from an angle opposite the garage...

Shooting at twilight...

Shooting at twilight...